(393) AMERICAN MUSIC : SYLVESTER CROSS DIES : I KEEP WORKING WITH BOONE AND CAPEHEART

1964 seemed like a happy time to me when I was living it, and in my memory.

We songwriters were not especially concerned about the effects of the so called British Invasion of the Beatles and other groups would have on our own careers. Shows like Shindig celebrated rock and roll in Great Britain and the United States and we had confidence in our talents and abilities.

But that year there was a big change coming for those of us who were on contract with American Music, the big music publishing house that I had come to Los Angeles to work for, where Jerry Capeheart, who once worked with Eddie Cochran and who had signed me on staff was my boss.

Sylvester Cross, the owner of American Music died. I'd signed a five year contract but it was cut short. We kept going to work until Sylvester's wife sold the American Music catalogue for a song (!) and shut down operations.

I kept working for Jerry and for Pat Boone, making demos.

(374) FROM OUR ARCHIVE (316) VIVA LAS VEGAS AND GLEN CAMPBELL

Friday, June 18, 2010

(316) VIVA LAS VEGAS and GLEN CAMPBELL

Glen Campbell was aboard at American Music where I worked. When he moved to Los Angeles after Jerry Capeheart signed him, he spent a lot of time with me at my place. I got Glen Campbell the gig with Elvis Presley for the music for VIVA LAS VEGAS. Glen had asked me to introduce him to Elvis many times so I eventually did introduce the two men. Elvis asked Glen for a demo record and Glen provided it. Glen gave Elvis a demo of an instrumental he did called "Buzz Saw" that really showed off his musical genius. Because Elvis loved the demo he made the phone calls and Glen was assigned to be the LEAD GUITARIST - the LEADER OF THE BAND - for the movie music. As a member of the Musicians Union he was paid triple scale for the soundtrack work. This was before Glen become famous. He was a songwriter and studio musician much in demand for years before "By The Time I Get To Phoenix," the Jimmy Webb composition.

(372) GLEN CAMPBELL 1964 ALBUM SHOWS OFF HIS 12 STRING GUITAR PLAYING EXCELLENCE

Jerry Capeheart, Eddie Cochran's old manager, discovered Glen Campbell and invited him out to Los Angeles, gave him an American Music songwriting contract. Glen played in studios as a musician, making his living behind the scenes, until performing called to him again.

JIMMY BOWEN on CAPEHEART : LIVING IN A TEENAGE DREAM WORLD JIMMY BOWEN

Jimmy worked at American Music, wrote songs, and was recorded on Jerry Capeheart's label, after he too left Roulette.

(307) JIMMY BOWEN - SINGER SONGWRITER and FAMOUS MUSIC PRODUCER TO BE !

JIMMY BOWEN figures in my story from way back. I met Jimmy Bowen while he was passing through Akron, Ohio. He took me to a record hop there, where my first record was played. It was a record I home made in Winston-Salem without a label so it could not be played on the radio legally.

Jimmy Bowen and Buddy Knox had a group called The Rhythm Orchids. (They started out wearing light purple shirts when they played!) Buddy Knox and Jimmy Bowen were both Texas boys. Jimmy played a stand up bass, an instrument that featured in early rock and roll but soon disappeared from road performances.

Eventually I would perform with Jimmy on the road while on Roulette Records. I was on the Buddy Knox tour but I would occasionally meet up with Jimmy's tour.

The two of us showed up to work at American Music in Los Angeles. The two of us wrote some songs together... including "Break Down and Cry" which was recorded by Fabian and "Don't Stay Away" which was recorded by Jerry Fuller.

We're linking here to CMT (COUNTRY MUSIC) pages for Jimmy Bowen who has been recording with the band SANTA FE - back to his roots in music! And the next few videos will be a little Jimmy Bowen music festival!

(182) GLEN CAMPBELL RECORDS JERRY CAPEHEART'S TURN AROUND LOOK AT ME

Jerry Capehart was the man who signed me to American Music. (I've seen Jerry's surname spelled Capeheart and Capehart by the way, and I don't remember which he preferred.) I was honored to be signed by a man who was a great songwriter himself. Jerry and I remained friends until he also passed into Eternal Life.

This is the YouTube video of Glen Campbell singing Jerry's "Turn Around Look At Me."

Versions of Jerry's hit song were later recorded by the Vogues and Elvis Presley. This one, the original circa 1961, came out on Crest Records. Guess who owned Crest Records? Sylvester Cross who owned American Music! And guess who was a staff songwriter at American Music? Glen!

VIDEO REPLACED MARCH 2013 ]

(94) AMERICAN MUSIC AND ELVIS

While Sylvester Cross never pressed me to take demos directly to Elvis when I went to parties at his home or socialized with Elvis, he did thank me more than once for "bringing Elvis to my house." What he meant was not his home, but his music publishing house. What he meant was that because of me Elvis was open to getting demo from various American Music songwriters delivered to him for his consideration.

Actually American Music had a lot to thank Elvis Presley for already. It happened this way. Sylvester had the copyright on "Blue Christmas," which had been recorded by Ernest Tubb, the country music star. He'd hit with it in the 1940s. In about 1958 Elvis recorded it, because it was his personal favorite Christmas song! Every year American Music got a giant revenue from the song because it was so associated with Elvis and his version sold so well.

Now, Elvis also had an interesting relationship with the songwriters at American Music, which was at the time located at 9109 Sunset Boulevard, cross street Doheny, adjacent to Beverly Hills. When Elvis was at MGM or Paramount, on his way home to Bel Air, he would pass by driving in his car, usually later in the day, 5 or 5:30 say. If none of us were standing outside, Elvis would honk six times, then take off. This was his hello. If we were standing out there he would stop and chat with me, Glen Campbell, Jerry Capehart - whomever was out there.

(80) GLEN CAMPBELL - MUSICAL GENIUS WITH AN AUDIOGRAPHIC MEMORY

Another peer of mine at American Music was Glen Campbell. Glen used to come to the house my brother and I rented near Hollywood and hang out, when he first came to Hollywood by invitation of Jerry Capehart. Jerry Capehart discovered him playing in Albuquerque with his uncle Dick Bills' band. Jerry had been Eddie Cochran's manager and a co-writer with him on some songs.

Glen's ability to play several instruments - even the bagpipes - by ear earned him about $50 a week more than most of us made. He saved Sylvester Cross some money when he was in on sessions for demos.

Of course, as some of us soon learned, making demos for other people wasn't against our contracts. And the publishing houses were all in competition, and more than one of us recorded demos for other houses.

Glen Campbell has gone on to greater fame than perhaps anyone I worked with at American Music, when it comes to being a singer and entertainer. Glen had an incredible audiographic memory. He hears a song once and he has it.

Rockin Country Style discography on Glen Campbell link above!

Glen and I worked together a bit. We wrote a song that got recorded by more than one artist - including Glen, called "I'm A Fool." Rick Nelson also recorded the song. And it's mentioned on this Joey Cooper discography. Joey Cooper recorded the song - in my opinion perfectly - on Chancellor Records, Bob Marcucci's label.

http://www.geocities.jp/hideki_wtnb/joey-c45.html

BMI lists this song as:

I M A FOOL (Legal Title)
BMI Work #648724

Songwriters Glen Campbell and Wes Bryan

Publishing by UNICHAPPEL MUSIC

Glen was inducted into the Country Music Hall of Fame in 2005. On stage he thanked songwriter Jimmy Reed, and Television Producer Tommy Smothers.

(79) JIMMY BOWEN KEEPS ON GOING!

Jimmy Bowen, who had been on Crest Records and Roulette Records, was another musical genius that I worked with at American Music. We wrote over 100 songs together, many he recorded as demos. He called me to be a "four chord genius" and a "melody tune smith."

One night we wrote about 17 songs - in that one night - in a few hours - just to see what we could do.

Together we wrote a song called "Somebody to Love," which Jimmy recorded on Crest. Johnny Rivers wanted to record it and was mad at us for a while that we didn't hand it to him. It was a travelin' man kind of song.

A few bars here on RCS Discography.... (UPDATED WITH NEW JIMMY BOWEN RCS LINK APRIL 2012) Link above.
Jimmy had been performing in Akron, Ohio when he heard that first ever recording I made in a kitchen in Winston-Salem with some other kids. We went to the record hop there where I played my demo for the local DJ, Art Roberts, WCUE.

Then, split from Buddy Knox and the Rhythm Orchids, but all artists on Roulette, I sometimes played on the same bill with Jimmy, while on the Buddy Knox tour. (Jimmy Bowen, Donny Lanier - the lead guitar player who was the instrumental "balls" of the band, and Buddy Knox had started out as the Rhythm Orchids together in west Texas. They got their name from the Orchid shirts they wore as a band originally.)

Jimmy would leave American Music in about 1964 to be a producer for Frank Sinatra's new label, Reprise. There he would help give new life to the careers of Frank Sinatra, Dean Martin, and Sammy Davis Jr. These men were overshadowed by the new crop of rock and rollers hitting the charts. But Jimmy managed to select the song and produce "Everybody Loves Somebody Some Time," which became Dean Martin's theme song. Dean was on the charts surrounded by newcomers. And Jimmy did magic for Frank and Sammy too. He did "Stranger in the Night," for Frank that was Franks first single Gold record.

Here's a record Jimmy made in 1961 on Jerry Capehart's label which I found on You Tube. "Teenage Dream World." (VIDEO REPLACED BY THIS SELECTION APRIL 2012) "Aching Heart"

(68) JERRY CAPEHART / AMERICAN MUSIC

American Music, one of the biggest music publishing companies in the West, was owned by an eccentric named Sylvester Cross. I was signed by Jerry Capehart there to a five year contract.

Jerry Capehart was a great part of Eddie Cochran's success. He was a successful songwriter in his own rite. Jerry had been his manager and had written hit songs with Eddie including the forever great "Summertime Blues," and "C'Mon Everybody," as well as "Teen-Age Heaven."

Jerry Capehart's own Rockin Country Style Discography link above!

Jerry Capehart is talking about Eddie Cochran in this video the short haired man in the white business shirt is Jerry Capehart. Jerry is one of many people who started out as a performer, musician, and songwriter, who went into the music business in another capacity.