Showing posts with label Gene Vincent. Show all posts
Showing posts with label Gene Vincent. Show all posts
Tuesday, April 15, 2014
Saturday, January 4, 2014
LENNONYC : JOHN LENNON and JACK DOUGLAS, MUSIC PRODUCER ON ELVIS and the EARLY ROCK AND ROLLERS
LENNONYC is a documentary put out by PBS : AMERICAN MASTERS
Jack Douglas was the music producer of Lennon's album DOUBLE FANTASY. In this film, he talks about the song "Starting Over" and John talks about that time in his life when he was reaching back to his roots in early Rock and Roll.
JACK : "He's doing his Elvis Impersonation... the Elvis intonation. It brought back the feeling of early Rock and Roll."
JOHN : "It was tongue and cheek Elvis. It was John Lennon - American Rock and Roll - not competing but enjoying it."
John Lennon goes on to mention Gene Vincent, Buddy Holly, and Elvis Presley as inspirations to him as a developing musician.
Jack Douglas was the music producer of Lennon's album DOUBLE FANTASY. In this film, he talks about the song "Starting Over" and John talks about that time in his life when he was reaching back to his roots in early Rock and Roll.
JACK : "He's doing his Elvis Impersonation... the Elvis intonation. It brought back the feeling of early Rock and Roll."
JOHN : "It was tongue and cheek Elvis. It was John Lennon - American Rock and Roll - not competing but enjoying it."
John Lennon goes on to mention Gene Vincent, Buddy Holly, and Elvis Presley as inspirations to him as a developing musician.
Friday, July 13, 2012
FROM OUR ARCHIVES : POST (58) EDDIE COCHRAN : ROCKIN THE SUMMERTIME BLUES
(58) EDDIE COCHRAN : ROCKIN THE SUMMERTIME BLUES
I met Eddie Cochran at the Sheridan Hotel in New York City, where I also met Jerry Capheart, a man who would figure big in my future one day when he signed me to be a staff songwriter at American Music in Los Angeles.
Buddy Knox called Eddie Cochran "The Blond Elvis."
In England, the Beatles had followed him and Gene Vincent around. (When it came to Rock and Roll, first the Americans invaded England, then there was a British invasion of America.) Eddie performed at an Alan Freed produced Rock and Roll show for New Years about the time I met him. It was the same show I saw Ritchie Valens perform for the first time on.
The world of early Rock and Roll was tough. Eddie carried a Derringer hand gun in his boot and I hear it came in handy more than once, like when he was threatened by the boyfriends of certain fans...
Eddie Cochran wasn't the only one who packed a gun while on tour or while walking the streets of New York but I decided I could take care of myself with my fists. I grew up rumbling with my brothers, had learned some karate and self defence while in the U.S. Army, and admired the boxers who I tried to meet when they came into the Turf restaurant for meals instead of eating across the way at Dempsey's, which was owned by the boxer Jack Dempsey. We all had security concerns that were not met by our record labels or our management. We didn't have body guards and it was up to us to protect ourselves. It was also legal to take a gun on a plane...
During my tour with Buddy Knox I performed two of Eddie Cochran's hits, "Summertime Blues," and "Come on Everybody." Here's Eddie performing those hits on television - You Tube presentations.
"REMEMBER EDDIE COCKRAN" NEW SITE above! January 26, 2011
I met Eddie Cochran at the Sheridan Hotel in New York City, where I also met Jerry Capheart, a man who would figure big in my future one day when he signed me to be a staff songwriter at American Music in Los Angeles.
Buddy Knox called Eddie Cochran "The Blond Elvis."
In England, the Beatles had followed him and Gene Vincent around. (When it came to Rock and Roll, first the Americans invaded England, then there was a British invasion of America.) Eddie performed at an Alan Freed produced Rock and Roll show for New Years about the time I met him. It was the same show I saw Ritchie Valens perform for the first time on.
The world of early Rock and Roll was tough. Eddie carried a Derringer hand gun in his boot and I hear it came in handy more than once, like when he was threatened by the boyfriends of certain fans...
Eddie Cochran wasn't the only one who packed a gun while on tour or while walking the streets of New York but I decided I could take care of myself with my fists. I grew up rumbling with my brothers, had learned some karate and self defence while in the U.S. Army, and admired the boxers who I tried to meet when they came into the Turf restaurant for meals instead of eating across the way at Dempsey's, which was owned by the boxer Jack Dempsey. We all had security concerns that were not met by our record labels or our management. We didn't have body guards and it was up to us to protect ourselves. It was also legal to take a gun on a plane...
During my tour with Buddy Knox I performed two of Eddie Cochran's hits, "Summertime Blues," and "Come on Everybody." Here's Eddie performing those hits on television - You Tube presentations.
"REMEMBER EDDIE COCKRAN" NEW SITE above! January 26, 2011
ROCKABILLY HALL OF FAME LINK HERE http://www.rockabillyhall.com/EddieCochran.html
History of Rock - Eddie Cochran! http://www.history-of-rock.com/cochran.htm
Eddie Cochran died at the age of 21, at the height of his fame, in 1960 while touring in England, in a tragic automobile accident on the way to the airport. Gene Vincent was left with a limp in the same accident.
ALL LINKS ACTIVE JULY 2012 New Video added
Saturday, May 28, 2011
AMERICANS STILL INVADING EUROPE : GENE VINCENT 1963 in EUROPE THE AMERICANS STILL GOING TO EUROPE
Gene continued to do rock and roll his way, touring in Europe for some time.
Sunday, March 15, 2009
From JOHN LENNON by PHILIP NORMAN : ROULETTE RECORDS's MORRIS LEVY
quotes from pages 745-746 hardback edition of Philip Norman's JOHN LENNON biography...
Christine Trzyna here.
In WES BRYAN - MY LIFE IN MUSIC, we've mentioned a number of early rock and roll managers. One of them is Morris Levy, who both Wes Bryan and Buddy Knox had dealings with in the late 1950's and early 1960's. At they time he was the Roulette Records guy. In this book we learn that Morris Levy also had a deal with John Lennon. In 1975 John still owed Morris an album.
"To show that he and his band were not slipping back into old L.A. ways, he (John Lennon) broke an iron rule and sent Levy several tracks in a rough mix. But, tired of waiting around for his royalty cut, the Octopus issued the unfinished tracks as an album on his own Adam VIII label, titling it Roots:John Lennon Sings the Great Rock & Roll Hits, jacketing it with a garish head shot from the Let it Be Era and marketing it as a cheap-shot TV special offer. The result was a second round of litigating, with Levy suing John for defaulting on the judgement from their earlier court case and John counter suing for release of inferior product under his name without his authorization.'
"... On the witness stand, according to Bob Gruen, "John had to explain why a rough-mix tape was not meant to be sold on the market, and he ...described the difference between that and a final mix and how it was made.... He was incredibly clear and coherent and I remember thinking, if I was a musician this was the best description I could possible have."
John Lennon was awarded more than $144,700 and succeeded in having the Adam VIII compilation withdrawn from sale.
"Rush released before too many TV viewers could send their money to Morris Levy, John's fully mixed album was entitled simply Rock and Roll. Buyers who were expecting a straight nostalgia trip in the current mode were in for a surprise. Some of the tracks, like Buddy Holly's "Peggy Sure" and gene Vincents "Be Bop-a Lula," certainly were just as he used to play them with the Quarrymen and first -draft Beatles in Liverpool and Hamburg. Others, like Bobby Freeman's "Do you Want to Dance?" and Larry Williams, "Bony Maronie" were slowed down almost beyond recognition; Chuck Berry's "Sweet Little Sixteen," seemed to have collided with the Coasters' "Little Egypt," while "You Cant' Catch Me" sounded like the Beatles "Come Together"....
Christine Trzyna here.
In WES BRYAN - MY LIFE IN MUSIC, we've mentioned a number of early rock and roll managers. One of them is Morris Levy, who both Wes Bryan and Buddy Knox had dealings with in the late 1950's and early 1960's. At they time he was the Roulette Records guy. In this book we learn that Morris Levy also had a deal with John Lennon. In 1975 John still owed Morris an album.
"To show that he and his band were not slipping back into old L.A. ways, he (John Lennon) broke an iron rule and sent Levy several tracks in a rough mix. But, tired of waiting around for his royalty cut, the Octopus issued the unfinished tracks as an album on his own Adam VIII label, titling it Roots:John Lennon Sings the Great Rock & Roll Hits, jacketing it with a garish head shot from the Let it Be Era and marketing it as a cheap-shot TV special offer. The result was a second round of litigating, with Levy suing John for defaulting on the judgement from their earlier court case and John counter suing for release of inferior product under his name without his authorization.'
"... On the witness stand, according to Bob Gruen, "John had to explain why a rough-mix tape was not meant to be sold on the market, and he ...described the difference between that and a final mix and how it was made.... He was incredibly clear and coherent and I remember thinking, if I was a musician this was the best description I could possible have."
John Lennon was awarded more than $144,700 and succeeded in having the Adam VIII compilation withdrawn from sale.
"Rush released before too many TV viewers could send their money to Morris Levy, John's fully mixed album was entitled simply Rock and Roll. Buyers who were expecting a straight nostalgia trip in the current mode were in for a surprise. Some of the tracks, like Buddy Holly's "Peggy Sure" and gene Vincents "Be Bop-a Lula," certainly were just as he used to play them with the Quarrymen and first -draft Beatles in Liverpool and Hamburg. Others, like Bobby Freeman's "Do you Want to Dance?" and Larry Williams, "Bony Maronie" were slowed down almost beyond recognition; Chuck Berry's "Sweet Little Sixteen," seemed to have collided with the Coasters' "Little Egypt," while "You Cant' Catch Me" sounded like the Beatles "Come Together"....
Sunday, October 5, 2008
(195) GENE VINCENT and ELVIS PRESLEY BE BOP A LULA !
Here's an early Elvis Presley recording of Gene Vincent's Be Bop A Lula!
Gene in France singing Be Bop A Lula years past its 1958 debut...
Use the Search feature of this Google Blogger to see what else we've had to say about Gene Vincent.
Gene in France singing Be Bop A Lula years past its 1958 debut...
Use the Search feature of this Google Blogger to see what else we've had to say about Gene Vincent.
Saturday, September 20, 2008
(188) DIVERSITY ON THE CHARTS and COVER TUNES YESTERDAY AND TODAY
So far you've seen the diversity of hit records on the charts in the early 1960's, 1960-1961 (and we'll be heading for 1962 in the near future).
Doo Wop, Rockabilly, Novelty Tunes, an emerging surf music sound, harmonies that the Everly Brothers performed as well as opera-inspired songs like Elvis' "It's Now or Never," and so many other sounds, including the "Girl Groups" of Motown are represented on those charts as big sellers.
Because we live in 2008 and know about the history of Rock and Roll from the long view, we know that it's a matter of a couple years before what's been termed "The British Invasion" though in our opinion there was an American Invasion of Britian first. American artists like Gene Vincent and Eddie Cochran toured England, Buddy Knox and I almost got there, and it's well known that the Beatles and the Rolling Stones and so many other British originated bands that come along into fame mid to late 1960's are inspired by those early Rock and Rollers. Many of the hits of the late 1950's to early 1960's have become classics that have been recorded "Covered" time and time again.
Christine and I are really fascinated by what's been happening as some of the most famous Rock and Rollers are aging, and beginning to look to "standards" from the 1930's, 1940's, and 1950's. Linda Ronstadt's been doing it, Rod Stewart's been doing it... mining the classics from the Big Band Sound.
So before we go on with our Wes Bryan narrative, we're going to take a bit of a departure here on Wes Bryan -My Life in Music and we're going to post some of those "Oldies" and their "Covers."
Doo Wop, Rockabilly, Novelty Tunes, an emerging surf music sound, harmonies that the Everly Brothers performed as well as opera-inspired songs like Elvis' "It's Now or Never," and so many other sounds, including the "Girl Groups" of Motown are represented on those charts as big sellers.
Because we live in 2008 and know about the history of Rock and Roll from the long view, we know that it's a matter of a couple years before what's been termed "The British Invasion" though in our opinion there was an American Invasion of Britian first. American artists like Gene Vincent and Eddie Cochran toured England, Buddy Knox and I almost got there, and it's well known that the Beatles and the Rolling Stones and so many other British originated bands that come along into fame mid to late 1960's are inspired by those early Rock and Rollers. Many of the hits of the late 1950's to early 1960's have become classics that have been recorded "Covered" time and time again.
Christine and I are really fascinated by what's been happening as some of the most famous Rock and Rollers are aging, and beginning to look to "standards" from the 1930's, 1940's, and 1950's. Linda Ronstadt's been doing it, Rod Stewart's been doing it... mining the classics from the Big Band Sound.
So before we go on with our Wes Bryan narrative, we're going to take a bit of a departure here on Wes Bryan -My Life in Music and we're going to post some of those "Oldies" and their "Covers."
We'll be depending on YouTube of course, and we want to thank again all those contributors that make a history of music oriented blog like ours more interesting.
Wednesday, May 21, 2008
(152) STATE FAIR - A ROCK AND ROLL MOVIE
Gene Vincent, in that interview we posted recently, mentioned that he was going to the states to do the movie called "State Fair." This was a rock and roll movie, young and hip, and guess who else was in it? My friend Bobby Darin, as well as Pat Boone and Ann-Margret.
Go to the IMDB movie database STATE FAIR link above!
Now, take a look at this YouTube video that features the sexy Ann with someone who you might be surprised did a bare-chested love scene with her - Pat Boone! Yea, really!
Go to the IMDB movie database STATE FAIR link above!
Now, take a look at this YouTube video that features the sexy Ann with someone who you might be surprised did a bare-chested love scene with her - Pat Boone! Yea, really!
Wednesday, May 7, 2008
(145) GENE VINCENT 1961 BRITISH INTERVIEW
What do you know! AOL video site has an 1961 interview with rock 'n roller Gene Vincent!
Click on the title above to go right to the interview!
(And check out our previous posts on Gene with a search of our blog or go to the links about him to the left!)
Click on the title above to go right to the interview!
(And check out our previous posts on Gene with a search of our blog or go to the links about him to the left!)
Thursday, May 1, 2008
(138) MY PEERS AND THEIR CELEBRITY
Friends, the next several blogs are meant to help you keep Elvis, me, and our peers in musical perspective.
While I was working at the songwriting factory, ambitious to write songs that would be hits for other artists, people like Gene Vincent, Bobby Darin, Ersel Hickey, The Everly Brothers, Pat Boone, and Dion and the Bellmonts, continued to perform, make records, and have hits. I was so proud to know them and to be associated with them. I knew that keeping celebrity was more difficult than becoming one. And though Melodie D'Amour had done well and I promoted it with live performances and radio interviews, bit by bit I was receding from public life even as the Hollywood bug continued to bite me.
While I was working at the songwriting factory, ambitious to write songs that would be hits for other artists, people like Gene Vincent, Bobby Darin, Ersel Hickey, The Everly Brothers, Pat Boone, and Dion and the Bellmonts, continued to perform, make records, and have hits. I was so proud to know them and to be associated with them. I knew that keeping celebrity was more difficult than becoming one. And though Melodie D'Amour had done well and I promoted it with live performances and radio interviews, bit by bit I was receding from public life even as the Hollywood bug continued to bite me.
Saturday, October 27, 2007
(59) GENE VINCENT BUDDY KNOX AND ME VISIT GENE IN TEXAS
While we were traveling, Buddy Knox took me to meet Gene Vincent, where he lived outside Amarillo in a house. But we showed up at a bad time. There were maybe a hundred people already there. Gene was standing on his bed firing his gun. I have no idea why! Buddy Knox and I got the hell out of there!
On the Buddy Knox tour I did a cover of Gene's hit, "Be Bop A Lula." Here's a You-Tube performance of Gene doing that song. (This is a more sedate performance than the second one below.)
Rockabilly Hall of Fame - Gene Vincent
And the Rock and Roll Hall of Fame Inductee Gene Vincent! LINK ABOVE
Friday, October 26, 2007
(58) EDDIE COCHRAN : ROCKIN THE SUMMERTIME BLUES
I met Eddie Cochran at the Sheridan Hotel in New York City, where I also met Jerry Capheart, a man who would figure big in my future one day when he signed me to be a staff songwriter at American Music in Los Angeles.
Buddy Knox called Eddie Cochran "The Blond Elvis."
In England, the Beatles had followed him and Gene Vincent around. (When it came to Rock and Roll, first the Americans invaded England, then there was a British invasion of America.) Eddie performed at an Alan Freed produced Rock and Roll show for New Years about the time I met him. It was the same show I saw Ritchie Valens perform for the first time on.The world of early Rock and Roll was tough. Eddie carried a Derringer hand gun in his boot and I hear it came in handy more than once, like when he was threatened by the boyfriends of certain fans...
Eddie Cochran wasn't the only one who packed a gun while on tour or while walking the streets of New York but I decided I could take care of myself with my fists. I grew up rumbling with my brothers, had learned some karate and self defence while in the U.S. Army, and admired the boxers who I tried to meet when they came into the Turf restaurant for meals instead of eating across the way at Dempsey's, which was owned by the boxer Jack Dempsey. We all had security concerns that were not met by our record labels or our management. We didn't have body guards and it was up to us to protect ourselves. It was also legal to take a gun on a plane...
During my tour with Buddy Knox I performed two of Eddie Cochran's hits, "Summertime Blues," and "Come on Everybody." Here's Eddie performing those hits on television - You Tube presentations.
ROCKABILLY HALL OF FAME LINK HERE ROCKABILLY HALL OF FAME EDDIE COCHRAN
Buddy Knox called Eddie Cochran "The Blond Elvis."
In England, the Beatles had followed him and Gene Vincent around. (When it came to Rock and Roll, first the Americans invaded England, then there was a British invasion of America.) Eddie performed at an Alan Freed produced Rock and Roll show for New Years about the time I met him. It was the same show I saw Ritchie Valens perform for the first time on.The world of early Rock and Roll was tough. Eddie carried a Derringer hand gun in his boot and I hear it came in handy more than once, like when he was threatened by the boyfriends of certain fans...
Eddie Cochran wasn't the only one who packed a gun while on tour or while walking the streets of New York but I decided I could take care of myself with my fists. I grew up rumbling with my brothers, had learned some karate and self defence while in the U.S. Army, and admired the boxers who I tried to meet when they came into the Turf restaurant for meals instead of eating across the way at Dempsey's, which was owned by the boxer Jack Dempsey. We all had security concerns that were not met by our record labels or our management. We didn't have body guards and it was up to us to protect ourselves. It was also legal to take a gun on a plane...
During my tour with Buddy Knox I performed two of Eddie Cochran's hits, "Summertime Blues," and "Come on Everybody." Here's Eddie performing those hits on television - You Tube presentations.
ROCKABILLY HALL OF FAME LINK HERE ROCKABILLY HALL OF FAME EDDIE COCHRAN
History of Rock - Eddie Cochran! HISTORY OF ROCK - EDDIE COCHRAN
Eddie Cochran died at the age of 21, at the height of his fame, in 1960 while touring in England, in a tragic automobile accident on the way to the airport. Gene Vincent was left with a limp in the same accident.
UPDATED APRIL 2014
Eddie Cochran died at the age of 21, at the height of his fame, in 1960 while touring in England, in a tragic automobile accident on the way to the airport. Gene Vincent was left with a limp in the same accident.
UPDATED APRIL 2014
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