(150) THE HOLLYWOOD BUG CONTINUES TO BITE ME

In New York acting was respected as a dramatic art and the stage was the place to be. I studied at Actors Studio in New York with Lee Strasberg, who is now legendary.

The Studio System of Hollywood put actors on contract. The amount of money to be made was quite limited in those years compared to what successful actors demand and get today - very limited. Even when an actor made millions for the studios on a picture, or a top agent like Henry Wilson was going to negotiate for you, the actors take was limited.

Of course some stars managed to get their contracts rewritten for more money. Wealth for many didn't come outright from pay or overnight but from investing what they earned in real estate - land especially - in Southern California, which had experienced a first surge of the building boom after World War II.

So you had to love acting and love it enough to do it knowing you might never make a lot of money. You had to appreciate the many perks that came with being a famous actor, including meeting people and making connections that could do you some good, but you had to earn it all the time. You had to do things their way.

Just as James Dean had moved to Hollywood and making films, many of my peers, including of course Bobby Darin, looked forward to a movie acting career. It was one thing to make grueling promotional tours around the country, one radio or television station after another, and another to be known almost instantly around the whole country because you were seen in the movies. So long as the move from stage to screen included musicals, it made sense to the viewing public that an actor would launch into song.